12/27/2022 0 Comments Tetsuo the iron man![]() ‘Tetsuo: The Iron Man’ is currently streaming on Amazon Prime. The pair dispose of the corpse in hopes of quietly moving on. Like the film, which is dominated by stark and often violent images of scrapyard steel and rusted tools, the soundtrack is populated almost entirely with the sounds of clattering percussion, metallic thumps and searing white noise. A 'metal fetishist' (Shin'ya Tsukamoto), driven mad by the maggots wriggling in the wound he's made to embed metal into his flesh, runs out into the night and is accidentally run down by a Japanese businessman (Tomorowo Taguchi) and his girlfriend (Kei Fujiwara). ![]() The film was scored by industrial musician Chu Ishikawa, who maintained a close collaborative relationship with Tsukamoto for the entirety of his career until his death in 2017. An almost dialogue-less black and white film about a man who gradually, excruciatingly transforms into metal, it made Tsukamoto an international star overnight. Commonly referred to as “the Japanese Eraserhead”, the 16mm film was so influential that it served as the watershed that allowed the entire independent film industry of Japan to be established in the decade that followed. No film had a more significant impact than Shinya Tsukamoto’s 1989 film ”Tetsuo: The Iron Man”. It became known as “cyberpunk” – a kind of avant-garde, dystopian science fiction distinguished by its striking aesthetic and intense experimentation. ![]() The short-lived movement adapted the chaotic sounds and metal-studded costumes of the country’s punk subcultures with jagged stop motion, jerky camerawork and choppy editing techniques. At the peak of Japan’s ’80s economic boom, a new breed of self-taught filmmakers brought the attention of the international film community to the country for the first time in decades.
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